5 ways media companies are growing audiences and revenue on YouTube
Oct 28, 2026 [[read-time]] minute read
Oct 28, 2026 [[read-time]] minute read
Today, viewers decide what to watch, when they want to watch it and in which formats, platforms and screens. Anyone looking to build an engaged audience needs to meet these viewers on their own terms.
YouTube is where billions of people go every day to find the content they love, with every type of genre and creator available to them.
As MIPCOM 2026 took place, storied media companies and broadcasters across Europe are investing in meeting YouTube viewers where they are with high quality content. And it’s working.
Here are five ways media companies and YouTube are growing audiences and revenue on YouTube.
Stephan Schmitter, CEO of RTL Deutschland, at MIPCOM 2026
On YouTube, media companies have many flexible ways to earn money. Just like millions of creators globally, they receive the majority of the ad revenue their videos generate. They can also sell premium ad slots directly to advertisers when that fits their strategy, or set up Channel Memberships so viewers can pay to subscribe in exchange for exclusive perks and content. Crucially, companies can use auto-dubbing tools to make their content scale globally — unlocking even more ad revenue — and use tools like Content ID to automatically find, protect, and monetize their uploaded intellectual property.
A prime example is the UK's Goalhanger, home to hit podcasts like The Rest is History and The Rest is Politics. With 63 million watch hours so far this year and 1.4 million subscribers across their channels, they've unlocked significant revenue through the strong community they've built on YouTube — with nearly a quarter of revenues coming from Channel Memberships.
Sharing select full episodes, live events, and older, archived shows with YouTube’s global audience of billions. This helps new viewers find your content and often sends them back to the broadcaster's own subscription apps and traditional television.
For example, France Télévisions makes available on YouTube its national and local news programs such as "13h" and "20h," as well as flagship current affairs shows such as “Envoyé Spécial” and "L'Heure de Vérité. As a result of this new strategy franceinfo YouTube channel generated 110M views in September alone and surpassed the 1 million subscribers mark. Similarly, the iconic Dutch series Fabeltjeskrant is bringing all 1,600+ of its episodes to the platform, restored, enhanced and dubbed, so new generations around the world can discover it.
Tiphaine de Raguenel, Director of Youth Audiences, France Télévisions at MIPCOM 2026
Before committing major budgets, savvy producers try out new concepts and pilot episodes, paying close attention to YouTube Studio’s real-time video analytics with second-by-second audience retention data. It’s what the most successful creators do, refining formats, tone and content based on viewer feedback.
Filmmaker Curry Barker took the world by storm with the release of Obsession, which brought in over $100 million on its opening weekend. Barker used his YouTube comedy channel as a real-time testing ground, analyzing second-by-second viewer retention data to refine his storytelling before directing the blockbuster.
In news, sport and entertainment, where media companies combine their institutional credibility with the authentic voice of creators, they often gain a bigger, more engaged audience.
Take Dutch national broadcaster NPO. Instead of adapting a TV format for YouTube, they backed The FOMO Show with creators Daan Boom, Tobias Camman and Jasper Demollin, reaching millions of young fans and winning a top television award. Now the creators are regular faces of their own streaming platform, NPO Start.
Dan McGolpin, Director of BBC iPlayer at MIPCOM 2026
Over 1 billion hours of YouTube content are watched on smart TVs daily.
Media companies such as Banijay and BBC are using features like Shows to package some of their most popular content such as Mr. Bean and BBC Earth for these viewers. And music festival Coachella uses the Multiview feature so fans can watch up to four musical acts at the same time — creating the music festival experience that they want from their couch.
Forward-thinking broadcasters who are already adopting some of these strategies are doing so in a complementary way to their existing businesses. Because this is not about moving away from traditional television; it is about building a collaborative approach where traditional broadcasters and YouTube work together to grow the entire industry.
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